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How about the movie special effects


West World of WALL-E, the film has CGI
For the production of high quality films that we expect, special effects houses have to take all things in the book, the green screen technology to the traditional systems of artificial intelligence altogether. It is no surprise that names such as Industrial Light and Magic is as important as any manufacturer and developer of Hollywood.

There is no doubt that you need to have software developed Hollywood is more than necessary on the gross energy content. Many of the tools, everyday life in the industry are the main applications for the fans and small studies.

Companies such as Autodesk and Softimage title on the road with the consequences for the entire screen, the image of the green and animation, lip sync and lighting.

Custom

These applications are responsible for the important, but the large amount of time actually in the software as in the artistic side, writing code for the treatment and a new meaning in life.

Sometimes they are products in their own right, as has been the case with Pixar RenderMan, not only the driving force behind the house films like Ratatouille and Wall-E, but most of the major Hollywood with Harry Potter and I Am Legend.

Mental Ray is also in the automotive industry and is used in all kinds of Hollywood. Essentially as an API, Mental Ray batch mode common software environment. This means that developers can their production through their favorite software, be it Maya, 3DS Max, Softimage XSI software or adverse Houdini.

The advantage is that the designers and artists are a common file format - a '. My Scene - in various applications, each with its own methods of shadows, textures, procedural requirements, card and exercise a stroke, the atmosphere and the effects of the volume of the environment, cameras and light sources.

The degree of complexity is close to the engineering offices with an artistic level, but it is lost when the artistic side is flat. Pixar is a great demonstration of two working side by side. Toy Story is when the relatively primitive 3D graphics are not the effects of complex are used to that - the impact of material, animation and to convince the money people in the photo, for example.

Therefore, the company has focused on the kind of impact, the benefit - Toys rigid body, where the weaknesses only bear charm. Each output follows a similar trend, the introduction of realistic animation of A Bug's Life, the rule of the fur Monster Inc. and is the man who The Incredibles cartoon funny to watch. Each film represents the party. Each film was a success.

The state of the art

The history of the CGI directly to the action films are not always smooth. The first practical application of the CGI is generally accepted to be the views of the movie Robot Gunslinger Yul Brynner in the 1973 Western World futuristic Western.

The manufacturers are working in 2D computer animation to simulate the vision of the robot. For monitoring Future World 1976, the manufacturers have gone further and input for 3D polygonal models, a technique that is the norm. Not all the effects of time were so complicated. In many cases it is easier to cheat.

The television broadcast of Douglas Adams' The Hitchhiker's Guide to the Galaxy (1981) seemed to use computer graphics for the pages of the manual, but it actually was, from the scenes which mimic the style of contemporary computer animation. Other artists have found that the technique was simply not capable of what they wanted.

The Japanese anime film Golgo 13 (1983) was one of the first films of this type for the introduction of computer animation with the tradition, leading to a scene in which hysteria of the cell d animation main character keeps cutting a block untextured combat helicopter.

It is therefore not surprising that the first true legendary hard-CGI film, like the films of Pixar, which aims at making plays on the weaknesses of the technology, as well as its strengths. 1982, the output of Tron, with real actors and developed the first fully computerized 3D scenes.

"One of the challenges in creating a Tron was unified to the real world and the world of electronics," says producer Donald Kushner, a few years after the publication of the film. "As in The Wizard of Oz, there are two worlds. The harder part is integration. We use the computer simulation, we have the conventional techniques used retro live and act. The challenge was all the solidarity."

Beyond Tron

After Tron, a multitude of films more and more pools of progress CGI, Indiana Jones and the Last Crusade in the first phase of Terminator 2: Judgment Day great pictures of the T1000. This was the first use of natural resources for the people on the move formed character. His liquid metal effects, particularly in relation to the then revolutionary morphing technology, soon to be in the commercial films, and he has his eyes opened by giving us an evil, the best of 1991 and the post - apocalyptic 2029th

Toy Story is that well-cemented in place of the CGI in the industry. While production of the film, Pixar to 10 people to 150 - a number without any computer graphics for a project. 50 to 70 people were on the device, the technical director of the workforce in the Bill Reeves and moderator John Lasseter.

They were for the production of software, RenderMan is. "If you have a good story and good characters, use a CGI movie, the $ 200 box-office and praise Wazoo," said Reeves, by the importance of the choice of an easy-on effect. As Lasseter, it is difficult, with its recent description of the trail: "Computer animation in an art form created is a science."

Smart Creations

While the likes of Disney and Pixar Animation converted, with the beginning of the CGI and George Lucas and Steven Spielberg as a lever for greater credibility and the CGI work in his film, Peter Jackson is the actuator technology into its next phase of the integration of artificial intelligence in the great stages of the fight in any case, Lord of the Rings trilogy.

Jackson wants a piece of software that are hundreds of orcs and humans to interact naturally without the need for each person individually. Each soldier has the right to appeal against the enemy and act like a character in the battle. The answer came from a program called Stephen Regelous, the massively developed. This program enables developers to quickly, thousands of people, each of which reacts differently to their environment.

The reactions of the characters also has other personalities, which in turn change how they acted and animations for motion capture to create a realistic scenario. Without the big battle scenes of Middle-earth would be nearly impossible to create. Fake tells a story, as the large AI was so strong that, given the thousands of baying orcs, the armies of Middle-earth is smart and has the tail all the way into the terror. After an error, the error has caused massive, but the other is an excellent story anecdote.

The mixture of reality and fiction

Most are people like Toy Story, Shrek and The Lord of the Rings trilogy in the reflection on the CGI, but real talent Studios Special Effects from the real life mixed with the CGI sequences in a rich tapestry and credible. Green-screen effects and the composition of rotoscoping - like Sin City, 300 and A Scanner Darkly - the border between reality and fiction. In some cases, the consequences in relation to the "virtual", such as A Scanner Darkly Rotoshop digital used to a classic look.

The last blockbuster Iron is clearly required, the most important elements of CGI, but some passages of the film is hard to say how it is and the real lives of the images. Iron Man Costume cybernetics began in the material life, but Stan Winston Studios built, all versions of the clothes, as well as the iron man of the enemy, Iron Monger. These actions were taken during the shooting live, but the physical objects were created through digital, if necessary.

Visual effects giant Industrial Light and Magic (ILM) that on the composition and the animation of the film, including the creation of nearly floor. ILM is also for Transformers was the experience with metal objects. Iron Man, but this is a different kind of film: "The drawings have to be credible," said the digital supervisor Bruce Holcomb, who moved into the iron man of processors. "In the case of Transformers, the robot carried out abroad with a variety of parties, and in the visual confusion. The man of iron was on the design. The combinations have no moving parts unclear to no reason."

Created by abolishing

You can also add elements, CGI can also be deleted. 2007 edition of I Am Legend for a post-apocalyptic New York. Director Francis Lawrence did not want to, obviously from a computer, the connection with the motion capture CGI.

The special effects are dilapidate for the City of New York, New York to break away from windows and cars on the street into a great success. "We want an apocalyptic movie where the landscape apocalyptic feel," said Lorenzo. "There is something magic in an empty city, which is dark and frightening.

Whether the fantastic characters and landscapes, the destruction of human and the simulation of epic battles, CGI is a staple of modern cinema. It seems somewhat strange that, May-tools are included in the trade of software, but this serves to demonstrate that the real effect is the artistic expression of that energy for the treatment of technology.

The best visual effects Oscar properly manufactured in 1996 should reward "the art, skill and loyalty with which the visual illusions are achieved." Therefore in today's world super-powerful computers, the price is in the rapid establishment of a qualified programmer.

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